February 26–June 12, 2011

Yerba Buena Center for the Arts is pleased to present Song Dong: Dad and Mom, Don’t Worry About Us, We Are All Well as part of its Big Idea “REFLECT: Considering the Personal.”

Yerba Buena Center for the Arts
October 30, 2010 – February 6, 2011

Yerba Buena Center for the Arts is pleased to present two new major exhibitions, both opening on Saturday, October 30, as part of its 10_11 season of Big Ideas.

In Guided Growth, Misako Inaoka revamps Johansson Projects into a zoological garden run wild, existing in a strange parallel world that we are perhaps too familiar with. Inaoka’s work echoes the alchemy of food processing by cross-breeding high art and toys, flirting with the familiarity of kitsch. Fawns with surveillance cameras for heads and a moose with ears-turned-bicycle-handlebars frolic in a wonderland impossibly sweet with an unsettling aftertaste. Inaoka’s serious play addresses issues of cloning, bioengineering, alternative energy in pint-sized figurines suited for text books or toy chests. <br />
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Inaoka, born in Kyoto, Japan, had received BFA in printmaking ’01 from RISD (Rhode Island School of Design), and MFA ’06 from Mills College, CA. From 1999-2000, Inaoka spent a year in Rome, Italy, as a part of EHP (European Honors Program). She works with mixed media in sculpture and site-specific installation. Her work has been shown at the Yerba Buena Center for the Arts, de Young Museum, de Saisset Museum, San Jose ICA (Institute of Contemporary Arts), as well as galleries in New York, San Francisco, Seattle, and Texas, in Japan, England, China and Italy. She is a recipient of Irvine Fellowship for Montalvo residency, National Endowment of Arts for MacDowell Colony residency, and has been an artist in residence at the Headlands Center for the Art, de Young Museum, and Vermont Studio Center. <br />
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Closing Reception: November 5, 5-9pm<img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"><img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/ZntIYult1xA" height="1" width="1"/>

The Long Now Foundation presents

1,000 years in three simultaneous acts

Act 1: Jem Finer’s Longplayer is a 1,000 year long composition that’s been playing in one form or another since the beginning of the millennium. For 1,000 minutes this October …

In Guided Growth, Misako Inaoka revamps Johansson Projects into a zoological garden run wild, existing in a strange parallel world that we are perhaps too familiar with. Inaoka’s work echoes the alchemy of food processing by cross-breeding high art and toys, flirting with the familiarity of kitsch. Ceramic fawns with surveillance cameras for heads and a moose with ears-turned-bicycle-handlebars frolic in a wonderland impossibly sweet with an unsettling aftertaste. Inaoka’s serious play addresses issues of cloning, bioengineering, alternative energy in pint-sized figurines suited for text books or toy chests.<br />
<br />
Inaoka, born in Kyoto, Japan, had received BFA in printmaking ’01 from RISD (Rhode Island School of Design), and MFA ’06 from Mills College, CA. From 1999-2000, Inaoka spent a year in Rome, Italy, as a part of EHP (European Honors Program). She works with mixed media in sculpture and site-specific installation. Her work has been shown at the Yerba Buena Center for the Arts, de Young Museum, de Saisset Museum, San Jose ICA (Institute of Contemporary Arts), as well as galleries in New York, San Francisco, Seattle, and Texas, in Japan, England, China and Italy. She is a recipient of Irvine Fellowship for Montalvo residency, National Endowment of Arts for MacDowell Colony residency, and has been an artist in residence at the Headlands Center for the Art, de Young Museum, and Vermont Studio Center.<br />
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Show runs September 17- November 6<br />
Opening Reception October 1, 5-8pm<img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"><img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/f9orXmh2ufo" height="1" width="1"/>