Nicolas Ceccaldi Work from his oeuvre. “NICOLAS CECCALDI recently produced a series of high-end custom-made surveillance camera prototypes made of melted children’s toys. These biomechatronic dispositives have fantasies of total war inscribed on the surface of their plastic shells and keep a wakeful eye on reality. By plugging them onto video display devices (e.g. a [...]

Center for Curatorial Studies
Bard College
March 27 – April 17, 2011

Beginning in March, the Center for Curatorial Studies at Bard College (CCS Bard) will present 13 exhibitions and projects, including work by more than 25 leading and emerging contemporary artists such as Terence Koh, Marysia Lewandowska, Tevor Paglen, and A.K. Burns, all curated by second-year students.

In Guided Growth, Misako Inaoka revamps Johansson Projects into a zoological garden run wild, existing in a strange parallel world that we are perhaps too familiar with. Inaoka’s work echoes the alchemy of food processing by cross-breeding high art and toys, flirting with the familiarity of kitsch. Fawns with surveillance cameras for heads and a moose with ears-turned-bicycle-handlebars frolic in a wonderland impossibly sweet with an unsettling aftertaste. Inaoka’s serious play addresses issues of cloning, bioengineering, alternative energy in pint-sized figurines suited for text books or toy chests. <br />
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Inaoka, born in Kyoto, Japan, had received BFA in printmaking ’01 from RISD (Rhode Island School of Design), and MFA ’06 from Mills College, CA. From 1999-2000, Inaoka spent a year in Rome, Italy, as a part of EHP (European Honors Program). She works with mixed media in sculpture and site-specific installation. Her work has been shown at the Yerba Buena Center for the Arts, de Young Museum, de Saisset Museum, San Jose ICA (Institute of Contemporary Arts), as well as galleries in New York, San Francisco, Seattle, and Texas, in Japan, England, China and Italy. She is a recipient of Irvine Fellowship for Montalvo residency, National Endowment of Arts for MacDowell Colony residency, and has been an artist in residence at the Headlands Center for the Art, de Young Museum, and Vermont Studio Center. <br />
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Closing Reception: November 5, 5-9pm<img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"><img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/ZntIYult1xA" height="1" width="1"/>

In Guided Growth, Misako Inaoka revamps Johansson Projects into a zoological garden run wild, existing in a strange parallel world that we are perhaps too familiar with. Inaoka’s work echoes the alchemy of food processing by cross-breeding high art and toys, flirting with the familiarity of kitsch. Ceramic fawns with surveillance cameras for heads and a moose with ears-turned-bicycle-handlebars frolic in a wonderland impossibly sweet with an unsettling aftertaste. Inaoka’s serious play addresses issues of cloning, bioengineering, alternative energy in pint-sized figurines suited for text books or toy chests.<br />
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Inaoka, born in Kyoto, Japan, had received BFA in printmaking ’01 from RISD (Rhode Island School of Design), and MFA ’06 from Mills College, CA. From 1999-2000, Inaoka spent a year in Rome, Italy, as a part of EHP (European Honors Program). She works with mixed media in sculpture and site-specific installation. Her work has been shown at the Yerba Buena Center for the Arts, de Young Museum, de Saisset Museum, San Jose ICA (Institute of Contemporary Arts), as well as galleries in New York, San Francisco, Seattle, and Texas, in Japan, England, China and Italy. She is a recipient of Irvine Fellowship for Montalvo residency, National Endowment of Arts for MacDowell Colony residency, and has been an artist in residence at the Headlands Center for the Art, de Young Museum, and Vermont Studio Center.<br />
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Show runs September 17- November 6<br />
Opening Reception October 1, 5-8pm<img src="http://rhizome.org/syndicate/nothing.gif?f=announce" border="0"><img src="http://feeds.feedburner.com/~r/rhizome-announce/~4/f9orXmh2ufo" height="1" width="1"/>