SanArt

The Guild Art Gallery
45 West 21st Street, #39, second floor, 212-229-2110

Chelsea

March 11 – April 13, 2010
Opening: Thursday, March 11, 6:30 – 8:30 PM
Web Site

The Guild Art Gallery is pleased to present, Domus Vulgus, the New York debut show of Contemporary India artist Apnavi Thacker. Born in Bombay, India and brought up in Geneva, Switzerland, Apnavi Thacker grew up benefiting from two very different cultures. Her experiences in both cities have had a major impact on her work. Apnavi is a self-taught artist, although she gained valuable knowledge and experience during her two years of training under the guidance of Bose Krishnamachari. Her work addresses such issues as the possible link between a woman and her self-confidence and level of comfort with her sexuality, and the impact of urban development on the environment.

Her work retains a focus on street art, common in most cities around the world although it remains non-existent in Bombay. Apnavi has exhibited in Bombay in both solo and group shows. This includes the Mumbai Festival in 2005, for which she was commissioned to do a single piece inspired by her thoughts on the city of Bombay, and the Kala Ghoda festival in 2006 for which she created an installation consisting of urinals. The works represent a continuation of themes based on urban development.

For DOMUS VULGUS, Thacker will literally recreate a shack, similar to the ones seen in slum dwellings of the city of Mumbai, India, as well as paintings. Being a street artist Thacker has developed a keen eye for urban environments and in particular what society would term as urban decay – meaning the vast slum areas that are now synonymous with urban construction and the landscape of Mumbai. Her initial practice as an artist in Switzerland exposed her to street art and graffiti something that is virtually non-existent in India. Thackers work therefore amalgamates the visual aesthetic of street art from one culture and the literal visual and functional aspects of street culture in another, to conjure up strongly individualistic, socio-political statements.

About her work, Thacker says:

Through my work I want to be able to provide an insight on the dichotomy of these two lifestyles and thereby the blatant socio-economic barrier that divides them. An underlying theme which is equally important is the use of space by the two disparate segments of society… My canvas works are often dark but they’re not negative. They are reflections of my thought process and the struggle within me to adapt to the great dichotomy which is Bombay.

The Guild Art Gallery
45 West 21st Street, #39, second floor, 212-229-2110

Chelsea

March 11 – April 13, 2010
Opening: Thursday, March 11, 6:30 – 8:30 PM
Web Site

The Guild Art Gallery is pleased to present, Domus Vulgus, the New York debut show of Contemporary India artist Apnavi Thacker. Born in Bombay, India and brought up in Geneva, Switzerland, Apnavi Thacker grew up benefiting from two very different cultures. Her experiences in both cities have had a major impact on her work. Apnavi is a self-taught artist, although she gained valuable knowledge and experience during her two years of training under the guidance of Bose Krishnamachari. Her work addresses such issues as the possible link between a woman and her self-confidence and level of comfort with her sexuality, and the impact of urban development on the environment.

Her work retains a focus on street art, common in most cities around the world although it remains non-existent in Bombay. Apnavi has exhibited in Bombay in both solo and group shows. This includes the Mumbai Festival in 2005, for which she was commissioned to do a single piece inspired by her thoughts on the city of Bombay, and the Kala Ghoda festival in 2006 for which she created an installation consisting of urinals. The works represent a continuation of themes based on urban development.

For DOMUS VULGUS, Thacker will literally recreate a shack, similar to the ones seen in slum dwellings of the city of Mumbai, India, as well as paintings. Being a street artist Thacker has developed a keen eye for urban environments and in particular what society would term as urban decay – meaning the vast slum areas that are now synonymous with urban construction and the landscape of Mumbai. Her initial practice as an artist in Switzerland exposed her to street art and graffiti something that is virtually non-existent in India. Thackers work therefore amalgamates the visual aesthetic of street art from one culture and the literal visual and functional aspects of street culture in another, to conjure up strongly individualistic, socio-political statements.

About her work, Thacker says:

Through my work I want to be able to provide an insight on the dichotomy of these two lifestyles and thereby the blatant socio-economic barrier that divides them. An underlying theme which is equally important is the use of space by the two disparate segments of society… My canvas works are often dark but they’re not negative. They are reflections of my thought process and the struggle within me to adapt to the great dichotomy which is Bombay.

“Above are some images of a new installation I have done for the ‘Skullduggerous‘ group show that opened here in London the other night (4th Feb). The show is in aid of the Bhopal Medical Appeal which aims to raise awareness and provide medical care for people still suffering the after-effects of the calamitous toxic gas leak that blighted the Indian city of Bhopal in 1984 – even today kids are still being born with birth defects and the environment is still affected. My installation is titled ‘Chicken Tikka Disasta’ – and is pretty much the closest most people in England to India and it’s people :) The show is being held at The Pure Evil Gallery, Leonard Street, London, from 4th-13th March and other artists involved include Pure Evil, Swoon and The krah”… slinkachu

Feature Inc
131 Allen Street, 212-675-7772

East Village / Lower East Side

March 4 – March 27, 2010
Opening: Saturday, March 6, 6 – 8 PM
Web Site

The Fulgent Cadences

Artist and healer Sue Gurnee will present a series of paintings each constructed to stimulate viewers to fully utilize their decision making process. Through her independent observational research that was begun in 1989, she has identified a cross cultural / cross generational set of seven distinct rhythmic brain functions, the fulgent cadences, that drive our decision making process. When all seven of these functions are operating fully, we make decisions that integrate both our inner will, the intuitive knowing self, and outer will, the action principal or motivational self. As most of us humans do not fully utilize all seven of these functions, these paintings have been made as a way for viewers to balance their rhythmic brain functions so to embrace growth and development through the quality of ones choices.

Tantra

These small paintings are made anonymously in India by practitioners of tantra, some of whom are artists, to signify and stimulate specific mental and /or spiritual experiences. While they are traditional images that have evolved over centuries with highly conventionalized forms and colors, they exude such a high level of intentionality that they continually appear fresh and alive. Despite their didactic function, they also have a history of being coveted as decorative objects and abstract art.

NewMediaFest’2010
Week 08 – 15-21 February 2010
program preview –> http://2010.newmediafest.org/?p=517
_________________________
Feature & venue of the week 08
http://2010.newmediafest.org/?p=512

CologneOFF – Cologne Online Film Festival – is celebrating its 5th anniversary in India on
CeC – Carnival of e-Creativity at Sattal, Uttarkhand – the Himalaya state.
by presenting it entire screening program of CologneOFF V – the latest festival released in November 2009.
CeC2010 is co-curated by Wilfried Agricola de Cologne
who is also the director and curator of CologneOFF.

Find the films and directors listed on http://theaea.org/cec_cac/cec10/index.htm

__________________________
Feature of the month February 2010
http://2010.newmediafest.org/?p=436

During February, VideoChannel’s new project release
“SFC – Shoah Film Collection” is spotlighted in daily solo features on
VAD – Video art Database –> http://vad.nmartproject.net/?page_id=1641
Monday – Brian Delevie (USA)
Tuesday – Anders Weberg (SWE)
Wednesday – Cezary Ostrowski (Poland)
Thursday – Dana Levy (Israel)
Friday – Felice Hapetzeder (SWE)
Saturday – Konstantinos-Antonios Goutos (Greece)
Sunday – Paolo Bonfiglio (Italy)

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Feature of the year 2010 is the ongoing netart journal, entitled: Celebrate!
released in daily features by
JavaMuseum – Foruim for Internet Technology in Contemporary Art

Starting on 10 January 2010, Celebrate! will have featured until the end of this year
a representative overview of the netart production of the past 10 years.
Find Celebrate! on http://2010.javamuseum.org
__________________________
Further, VideoChannel is presenting in solo features on VAD – Video Art Database
Video Art from Ukraine –> http://vad.nmartproject.net/?page_id=1797
&
CologneOFF is presenting in daily solo features on VAD – Video Art Database
the entire CologneOFF IV program structure “Here We Are!” on
http://vad.nmartproject.net/?page_id=1632

___________________________________________
Find the complete weekly program on
http://2010.newmediafest.org/?p=517

and the features of today, 15 February 2010 on
http://2010.newmediafest.org/?p=523

___________________________________________
NewMediaFest’2010
10 Years :||cologne
global heritage of digital culture
1 January – 31 December 2010
http://2010.newmediafest.org

director and chief curator: Wilfried Agricola de Cologne

calls for entries –> for NewMediaFest’2010
http://2010.newmediafest.org/?page_id=78

downloads
http://2010.newmediafest.org/?page_id=87

newmediafest2010 koeln.de
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Join NewMediaFest’2010 on Facebook
http://www.facebook.com/group.php?gid=404197070650
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The Fuschia Futures – India Chapter : 2010 – 2011

The Fuschia Tree presents a path-breaking platform for emerging artists and an outstanding opportunity for collectors through its initiative The Fuschia Futures.

INAUGURAL DATE : 12th March 2010

VENUE : THE ROOFTOP, THE TRIDENT, MUMBAI

This event will consist of a seminar led by leading players in the international art market followed by the launch exhibition of The Fuschia Futures.

SEMINAR

“Towards A New World”

A two-hour discussion starting at 6:30 pm (strictly by invitation)

An exclusive evening seminar will include knowledge driven talks and a discussion with a panel of speakers, each of who are leading experts in various facets of the art market and would provide insider views on contemporary art in India.

Moderated by: Sharmistha Ray – artist, curator and advisor, Sharmistha has established herself as one of the formost voices in the Indian contemporary art scene. http://sharmistharay.net

Speakers:

Anders Petterson

Founder of the leading portal of art market analysis Art Tactic www.arttactic.com

Louisa Buck

London contemporary art columnist for The Art Newspaper, and regular reviewer on BBC radio and TV

Dr. Alka Pande

Curator of the Visual Arts Gallery at the India Habitat Centre in New Delhi

Anupa Mehta

Anupa Mehta manages a studio and art source, THE LOFT (www.theloft.in). She is an independent arts consultant and a freelance arts-writer and editor. Founder editor of Art India, she was also the contributing editor, Asian Art News and World Sculpture News, Hong Kong.

INAUGURAL EXHIBITION

“Towards a New World”

The launch exhibition is a thematic representative of our times, given the current environmental crisis that all of us are enmeshed in. Towards a New World is an exhibition that will resonate with hope and a desire for pro-active change through individual engagement at all levels.

“Art holds the power to re-enchant and transform” says Ms. Anupa Mehta (Art Consultant).

Participating artists are the ten winners of The Fuschia Futures program, each of who were selected through a diligent and rigorous process for the quality of their work, conceptual thinking and unique language.

The exhibition promises to not only enchant its viewers through sheer diversity of medium, aesthetics and language but also engage them in a conversation on the creative, philosophical solution to our contemporary situation.

CologneOFF – Cologne Online Film Festival

–> Call for entries
–> Deadline: Monday, 5 April 2010
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NewMediaFest’2010
CologneOFF VI – Let’s Celebrate!!

In 2010, CologneOFF – Cologne Online Film Festival is celebrating its 5th anniversary – a good reason to try the new festival concept as a networked festival, including a networked jury, networked contributions and a series of networked screenings between September and December 2010 and beyond.

CologneOFF – founded in 2006 by Wilfried Agricola de Cologne as a new type of film and video festival dedicated to art forms of film and video in a global context – is following a successful concept of a festival without a static location of its own.
It does not last just 2 or 3 days a year, but is all the year everyday 24 hours available to the audience online and simultaneouslöy via physical screenings in cooperation with partner festivals.

This independance of availabliity on one hand, and dependance on networking partners makes CologneOFF most attractive not only to the audience, but basically also to the participating artists/directors and their films and videos due to a lasting promotion, confidence and trust.

After 5 successful festival editions, i.e
CologneOFF I – “Identityscapes” – 2006 – CologneOFF II – “Image vs Music” – 2006
CologneOFF III – “Toon! Toon! – art cartoons and animates narriatives” – 2007
CologneOFF IV – “Here We Are!” – 2008
CologneOFF V – “Taboo! Taboo?” – 2009

and their physical manifestations 2006-2010 – in New Dehli/India, Rotterdam/NL, Maracaibo/Venezuela, Rosario/Argentina, Lyon/France, Belgrade/Serbia, Szeczin/Poland, Brussels/Belgium, Istanbul/Turkey, Guadaljara/Mexico, Athens/Greece, Sarajevo/Bosnia-Hercegovia, Thessaloniki/Greece, Clermont-Ferrand/France, Jakarta/Indonesia, Hong Kong/ China, Bristol/UK and many more -

CologneOFF is taking the occasion of its 5th anniversary to thank all artists & directors, partners and the audience and invites all to celebrate CologneOFF VI under the festival theme “let’s celebrate – memory and identity in an experimental context” to be launched in September 2010 as part of
NewMediaFest’2010 -
10 Years :|| cologne
global heritage of digital culture

The networked jury consists of

Gioula Papadopoulou, curator of Videoart Festival Miden (Greece)
Margarida Paiva, director of Oslo Screen Festival (Norway)
Macu Moran, director VideoArtWorld Barcelona (Spain)
Tamas Gabeli, director of BuSho – Budapest International Short Film Festival (Hungary)
Giorgio Fedeli , curator & president of Visual Container Milan (Italy)
Mohamed Allam, director and curator of Medrar, Cairo (Egypt)
Jonas Nilsson, manager of Art Video Screening, initiator and chief-coordinator of Örebro International Videoart Festival (Sweden)

Besides the official festival program, networked festival contributions will be made by
Videoart Festival Miden, Oslo Screen Festival, BuSho – Budapest International Shortfilm Festival, Art Video Screening Orebro, Video Art World Barcelona, Visual Container Milan and Video Festival Cairo

CologneOFF VI – festival theme –>
“Let’s Celebrate – memory & identity in an experimental context”

CologneOFF invites artists and directors to submit their films & videos
up to 10 minutes duration.

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Please find the entry details and entry form on
http://www.nmartproject.net/netex/?p=1907

Download the entry details as PDF
http://downloads.nmartproject.net/CologneOFF6_entryform.pdf

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CologneOFF – Cologne Online Film Festival
http://coff.newmediafest.org

NewMediaFest’2010
10 Years :||cologne
global heritage of digital art
http://2010.newmediafest.org

:||cologne
the experimental platform for art & new media
http://www.nmartproject.net
———————————————————
info (at) nmartproject.net
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Mohammad Arif Ali
Rainy Days in Lahore, 2008
Digital print on photographic paper
40.6 x 50.8cm.
Courtesy the artist and White Star, Karachi

Whitechapel Gallery
Until 11 April 2010

This winter the Whitechapel Gallery brings to life a vivid vision of India, Pakistan and Bangladesh as seen through the eyes of their photographers. A dramatic epic of political and social change – as it has unfolded across two centuries – is set against the continuities of family, ancient culture and the natural environment.

Read Full Article

Miran Kim
Danni Shinya Luo
Kim Scott
Transmission Atelier

Feb. 5 – 28, 2010
Artist reception: Friday, Feb. 5, 2010 ~ 8 pm – 11 pm
La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
323-666-7667 Fax: 323-663-0243
www.laluzdejesus.com

Miran Kim “Uncomplicated Treats”
Miran Kim creates haunting imagery, which is luminous, beautiful and insightful. Her most recent body of work, titled “Uncomplicated Treats,” gives expression to the ties between the living and the dead. She opens a door to the world beyond, delves deep into the uncharted waters of her imagination, and finds joy in the mysterious transmigration of souls. The work grants us access to the tender yet sometimes terrifying landscape of this other, hidden world.

Miran’s work has been included in several group exhibitions in New York, Los Angeles and San Francisco. Her talent for visual storytelling is revealed in numerous comic book projects, most recently “Tales From the Crypt #8” and an exclusive insert in the companion book to feature film “Trick ‘R Treat.” She has an established reputation as a cover artist for The X Files comics, and other projects such as Hellraiser, Animal Man, The Crow, The Predator, Candy Man and her graphic novel “The Fallen.” Miran’s work appeared in the Absolut Vodka campaign and was titled “Absolut Kim.” Additional images and details can be found at boyinthewater.com

Danni Shinya Luo – “Spiritual Deficiencies”
Danni Shinya Luo’s main subjects are meditations on the beauty of female figures, and the psychological tension that exists between them. She acquires her inspiration from a variety of topics varying from human fears, obsessions, and desires to elements of nature, cosmology, neurolinguistics and high fashion. Her main medium is watercolor with ink, and few other eclectic mediums. Overall, Danni Shinya’s work can be described as fluid and organic, full of feminine romance with hidden conflicts and symbolic elements. “Spiritual Deficiencies” is a strong collection of stand-alone works each exploring weakness of a psychological nature. Figurative characters become living, breathing sigils — enriching the surface narrative while revealing a series both beautiful and iconic.

Originally from Shanghai, China, Danni Shinya Luo moved to California in 1995. She fell in love with art in grade school and after a few years of private study (and an apprenticeship with an old Chinese watercolor master Ding Ha) was accepted into Art Center College of Design in Pasadena. She majored in illustration and graduated with honor in 2006. Shinya has assisted artists Gary Baseman, Karl Handael, and has exhibited in galleries throughout North America. Her works have appeared in magazines like Bust and Initiativa, in books like “Eye Candy,” and she has done designs for Nickelodeon’s Neopets. Shinya loves to support other talented female artists, and has been a member of Girls Drawin’ Girls since 2006.

Kim Scott “Peep Holes and Magic Windows”
Kim Scott’s oil vignettes are inhabited by unlikely feminine protagonists who may be spying on you, or are they just caught like a deer in the headlights of some dreamy potentates gaze? They live in a land much as ours, located somewhere between vanity, impermanence and the sublime. Scott depicts figures and objects sourced from monster and Sci-fi movies, comics and books she read as a child, mythology, high gothic, surreal, Tibetan and Mexican painters, travel to exotic places, dreams and meditation, hallucinations brought on by illness, nightmares, chemical ingestion and the ragged and beautiful artifacts seen in museums. Scott finds images and ideas in scientific studies of the past and mixes in joy, humor and beauty with the horrible and mysterious, because that is her experience of life. Her paintings are self portraits.

Scott has created art nonstop from the time she was a child, watching TV sci-fi and playing dress up fantasies in thrift store evening gowns. In her 20s, she figured out how to get out of the country and answer the call to adventure. She has traveled to 22 countries and set up a studio in India for almost two years. Scott has studied with several Photo Realist artists in the 70’s, Including Gary Pruner and Mel Ramos. Her work is included in many collections, including the Crocker Art Museum, The Burkhart Collection, the Judy Barnett collection and the Lisa Maclaine collection in New Zealand, The Center for Celular and Molecular Study in Hydrobad India, The Bud Cort Collection, other collections in the USA, England, Germany and India. Scott currently teaches art at the Short Center North, an arts centered day program for adults with developmental disabilities located in Sacramento California.

Transmission Ateliter – If The Shadows Could March
(Anatomical illustrations and religious allegory, 16th – 19th Century)
In the spirit of the art printers of 19th century Europe, leveraging the most advanced – modern digital imaging methods, Transmission Atelier is a publisher and a fine art printmaker producing superior quality art and photo editions. Based in Chicago, the studio works with artists, galleries, museums, dealers and collectors. Transmission Atelier was founded by James Kay a native Chicagoan, James began as a commercially trained photo-engraver and Photo-lithographer at the age of 15. With over 25 years in the Graphics Industry, James has transitioned his expertise from the production of commercially printed graphic art to fine art photography, publishing, and digital pigment based print making.

“If Shadows Could March” will feature high end facsimile edition prints of antique anatomical illustration from the 18th and 19th century. Each edition is made from the original source material from the Transmission Atelier Library or from loaned works from private collectors. The engraving and printing techniches used by the artists on these original works is of astonishing craftmanship and is all but a completely lost art form. Transmission Atelier has retained all of the original detail, color and even the flaws in the antique paper. The overall quality of an Digital edition print, from color accuracy to fine to microscopic detail, is dependent upon the digital capture methodology. In this area Transmission Atelier is equipped with the most advanced digital capture and imaging technology as well as 3 decades of color communication, scanning and print premedia experience. In the spirit of European Print Making studios of the 18th and 19th century, Transmission Atelier will cycle through as many as 10 rounds of proofing to ensure that each edition is identical to and indistinguishable from the original source material.

netEX: calls & deadlines –>February 2010
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NewMediafest’2010
10 Years :||cologne
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newsletter contents

a) . news
b) calls & deadlines
–>
04 Calls: 2010 deadlines internal
22 Calls: February 2010 deadlines external
11 Calls: ongoing external/internal
————————————————
a) news

1) On 1 January 2010 :||cologne
launched NewMediaFest’2010
10 Years :||cologne
global heritage of digital culture
a festival context in an exchange between virtual and physical space
1 January -31 December 2010
http://2010.newmedifest.org

2) NewMediaFest’2010 announces the first venue in 2010
The presentation of the entire CologneOFF V festival program on
CeC – Carnival of e-Creativity Sattal/India
http://www.theaea.org/cec_cac/cec10/index.htm

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b) Calls & deadlines
—>
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2010: deadlines internal
NewMediaFest’2010 has currently 4 calls running

CologneOFF VI – Let’s Celebrate! – deadline 5 April 2010
Call for film & videoart
5 Years Cologne Online Film Festival
http://www.nmartproject.net/netex/?p=1907

VideoChannel – deadline 2 March 2010
~imaging – artists portraying themselves in film & video
http://www.nmartproject.net/netex/?p=1852

NewMediaFest’2010
VideoChannel – deadline 2 April 2010
One Minute Films of OMFC (One Minute Film Collection)
http://www.nmartproject.net/netex/?p=447

NewMediaFest’2010
*ongoing deadline 1 September 2009 – 1 September 2010
Java Museum – Forum for internet Technology in Contemporary Art
will be celebrating in 2010 its 10th anniversary and is looking for
Internet based art from the years 2000-2010
details, regulations and entry form can be found on
http://www.nmartproject.net/netex/?p=1428

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February 2010 deadlines: external
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28 February
Le Ville Matte residency Cagliari/Italy
http://www.nmartproject.net/netex/?p=1922

28 February
Detmold ShortFilm Festival /Germany
http://www.nmartproject.net/netex/?p=1954

19 February
Anti – Contemporary Art Festival Kuopio/Finland
http://www.nmartproject.net/netex/?p=1964

15 February
Cynetart Competition 2010 – Dresden/Germany
http://www.nmartproject.net/netex/?p=1942

28 February
Residency 2010 at Edith Russ Haus Oldenburg/Germany
http://www.nmartproject.net/netex/?p=1832

28 February
Arse Elektronika 2010
http://www.nmartproject.net/netex/?p=1640

26 February
Crosstalk Videoart Festival Budapest/Hungary
http://www.nmartproject.net/netex/?p=1634

23 February
Currents 2010 – Santa Fe/New Mexico (USA)
http://www.nmartproject.net/netex/?p=1892

19 February
Media City Film Festival 2010 Windsor/Canada
http://www.nmartproject.net/netex/?p=1632

15 February
Australian International Experimental Film Festival
http://www.nmartproject.net/netex/?p=1886

15 February
2nd International New Media Art Festival Damascus/Syria
http://www.nmartproject.net/netex/?p=1933

15 February
Athens Video Art Festival 2010
http://www.nmartproject.net/netex/?p=1838

15 February
56th Oberhausen Short Film Festival (German competition)
http://www.nmartproject.net/netex/?p=1653

15 February
Videofestival Bochum (Germany)
http://www.nmartproject.net/netex/?p=1807

14 February
re-new Digital Arts Festival Copenhagen/DK
http://www.nmartproject.net/netex/?p=1961

5 February
14th Annual Shortfilm and Video Festival Tempe/Arizona (USA)
http://www.nmartproject.net/netex/?p=1876

5 February
LUMEN_EX Digital Art Award 2010
http://www.nmartproject.net/netex/?p=1889

2 February
Rhizome Curatorial Fellow
http://www.nmartproject.net/netex/?p=1973

1 February
GO SHORT Online Competition Nijmegen/NL
http://www.nmartproject.net/netex/?p=1925

1 February
Sounding landscapes – soundart
http://www.nmartproject.net/netex/?p=1804

1 February
Writers residency in Bialsytok/Poland
http://www.nmartproject.net/netex/?p=1902
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Ongoing calls: external/internal
———————————————–
—> SFC – Shoah Film Collection by VideoChannel & A Virtual Memorial Foundation
—> Selfshadows 2.= – net based project by Javier Bedrina
–>Videos for Bivouac Projects Sumter/USA
–>OUTCASTING – web based screenings
–>Films and video screenings Sioux City (USA)
–>Laisle screenings Rio de Janeiro/Brazil
–>Videos for Helsinki based video gallery – 00130 Gallery
–>Web based works for 00130 Gallery Helsinki/Finland
–>Project: Repetition as a Model for Progression by Marianne Holm Hansen
–>US webjournal Atomic Unicorn seeks netart and video art for coming editions
–>TAGallery

and more deadlines on http://www.nmartproject.net/netex/?page_id=4

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NetEX – networked experience
http://netex.nmartproject.net
#
calls in the external section–>
http://www.nmartproject.net/netex/?cat=3
#
calls in the internal section–>
http://www.nmartproject.net/netex/?cat=1
———————————————–
#
This newsletter is also released on
http://www.nmartproject.net/netex/?cat=9
#
netEX – networked experiences
is a free information service powered by
:||cologne
http://www.nmartproject.net -
the experimental platform for art and new media
from Cologne/Germany
#
info & contact:
info (at) nmartproject.net