la maison rouge
Until 15 May 2011

The exhibition’s curator has chosen pieces for the most part by young artists working independently of each other on the concept of incorporation. A body of contemporary works (photography, video, installation, sculpture, drawing and painting) finds echoes in a historic perspective (photographic document , illuminated texts, engravings and ritual objects). Together, they show how the theme of anthropophagy has persisted and evolved through time and place.

One of the events during Armory Week was the celebration of High Line Art’s Spring Season and Opening of the new public art project “Space Available” by Kim Beck. In this video, we take a walk on the High Line and speak with the curator and director of the High Line’s art program, Lauren Ross. [...]

W E E K E N D is a new artist-run space dedicated to showing the work of under-represented contemporary artists in Los Angeles and beyond. We currently are seeking works in any genre that are challenging and thought-provoking in concept, bold, and eng…

Florent Meng Work from Wanderer’s Sculptures. “The Sculptures of the Walker represent a photographic suite presented as digital prints and published in a set of 12 booklets. The images are meant as short sequences circling around their subjects. They indeed propose several viewpoints of undefined places and objects occupying a position of transitional disuse. These [...]

KW Institute for Contemporary Art
27 March–22 May 2011

Preserving a monument goes hand in hand with destroying it. In order to preserve architecture, cultural monuments and relics, they are often re-located, allowing urban displacement to arise—leading to the disappearance of the concept of autonomous geography and archeology. The dislocation of a monument does not only alter the history of its original location, but also leads to a radical re-interpretation of the monument itself.

“Unpainted Paintings” at Luxembourg & Dayan in New York brings together works by Andy Warhol, Yves Klein, Otto Muehl, Paul McCarthy, Lucio Fontana, Robert Rauschenberg, Blinky Palermo, and many others. All works on display have in common that they question the conventions of painting. Some works on display have never been exhibited publicly before. The [...]

Miriam Böhm Work from her oeuvre. “In her photographs, Böhm enquirers into the very nature of the art object; how it is made, perceived, and how way we derive meaning from it. She uses the act of photography as a series of iterations, taking many photographs of one object or motif, from different perspectives, and [...]

Govett-Brewster Art Gallery
12 March–6 June 2011

Inhabiting their own potential moment of encounter, certain artworks have the capacity to create heterotopias of the senses. Remembering Foucault’s concept in human geography, heterotopia describes place and spaces of otherness.

In considering the role of
culture in contemporary societies, it may be helpful to look at the lineage and
derivation of the creative-class concept, beginning
with observations about the growing economic and social importance of
information production …

The Deutsche Bank Collection is one of the world’s largest corporate art collections. On the occasion of the re-opening of the bank’s headquarters in Frankfurt am Main, Germany, a new concept for the collection and the new presentation of the bank’s collection in the Deutsche Bank towers was introduced to the press and invited guests [...]

Bill Bollinger. The Retrospective at Kunstmuseum Liechtenstein in Vaduz is the first major retrospective of the work of the American artist Bill Bollinger (1939-1988). In the late 1960s, Bill Bollinger was one of the foremost sculptors of his time. The exhibition presents more than thirty of his sculptures, works on paper, unknown documents, and a [...]

Bill Bollinger. The Retrospective at Kunstmuseum Liechtenstein in Vaduz is the first major retrospective of the work of the American artist Bill Bollinger (1939-1988). In the late 1960s, Bill Bollinger was one of the foremost sculptors of his time. The exhibition presents more than thirty of his sculptures, works on paper, unknown documents, and a [...]

“We are all cannibals. The simplest way to identify with another is still to eat them.” (Claude Lévi-Strauss, La Repubblica, 1993). From February 12th to May 15th, La Maison Rouge in Paris / France is staging an exhibition on anthropophagy and its representations in contemporary visual art. The show brings together works by young artists [...]

319 Scholes is currently accepting proposals from artists and curators for group exhibitions scheduled for November 2011 onward.  319 Scholes is a 3,000 sq. ft renovated warehouse located in the heart of Bushwick, Brooklyn.  The space is two floor…

EXHIBITION   DETAILS This is an Open Call for proposals for an exhibition and a full representation in Downtown, Los Angeles, CA, USA.This call is open to  artists from all over the world working in all visual media.Proposals for exhibitions by bot…

EXHIBITION   DETAILS This is an Open Call for proposals for an exhibition and a full representation in Downtown, Los Angeles, CA, USA.This call is open to  artists from all over the world working in all visual media.Proposals for exhibitions by bot…

La Kunsthalle Mulhouse
3 February – 3 April 2001

A written work of art, a text that becomes a work of art?

Is it a carefully thought of process that can only find accuracy in the written form or is it more the other way around, a work in which the written form is the natural way to express what there is to say, where the concept is the written form.

Kunsthaus Graz
Universalmuseum Joanneum
5 February – 15 May 2011

The term “anti-form” in the 1960s represented the abandonment of the traditional concept of art and sculpture. It was a radical challenge that opened doors to new aesthetic worlds, and was followed in the 1980s and 1990s by a further wave of novel sculptures whose influence is still perceptible today.

After the 2009 exhibition “A Season in Hell“, Alison Jacques Gallery in London presents a show with work of Robert Mapplethorpe. The exhibition also inaugurates the gallery’s additional new exhibition space at 41-42 Berner’s Street. Robert Mapplethorpe: Night Work has been curated by the New York pop band Scissor Sisters. Last year, the band used [...]

i am not a good enough feminist is an exhibition and publication that seeks to investigate Feminism as a historically situated moment and the possibilities and necessities of its contemporary manifestations. Though organized by and stemming from an ar…