la maison rouge
Until 15 May 2011

The exhibition’s curator has chosen pieces for the most part by young artists working independently of each other on the concept of incorporation. A body of contemporary works (photography, video, installation, sculpture, drawing and painting) finds echoes in a historic perspective (photographic document , illuminated texts, engravings and ritual objects). Together, they show how the theme of anthropophagy has persisted and evolved through time and place.

Critic and teacher Kathryn Hixson is the one person I’ve had in my life who felt like a mentor in the deepest sense. She was wickedly funny, challenging, and yet warm. When she passed away this last fall, she left me feeling unmoored — I realized how very much I relied on her presence, her [...]

The New Museum presents a major exhibition of works by Lynda Benglis. It’s the first museum retrospective in over twenty years. On show are Lynda Benglis’ early wax paintings, her brightly colored poured latex works, the “Torsos” and “Knots” series from the 1970s, and her recent experiments with plastics, cast glass, paper, and gold leaf. [...]

The Center for Fine Art Photography seeks submissions in consideration for Portfolio ShowCase Volume 5There is no theme for this exhibition. The images will be evaluated as a cohesive body of work, rather than individual images. Fifteen photographers w…

There’s nothing like ducking out of a stormy evening straight into a former mansion – known to most city dwellers as the Philadelphia Art Alliance. On the evening of March 10, the black of an overcast sky merged into the quiet gray of a brick façade, the sleek wetness of concrete pavements became the brilliant [...]

Limerick City Gallery of Art OFF-SITE
25 March–6 May 2011

How Capital Moves is a new body of work by artist duo Kennedy Browne. Originally commissioned for the Łódź Biennale, Poland (2010) the work is partly a response to a computer factory relocating to Łódź from Limerick, Ireland. Kennedy Browne, with respect to the critical and conceptual use of fiction within this work, has replaced all references to the actual name of this multinational with the pseudonym The Company. As such the narratives, places and characters evoked in the work are both general and particular.

Kori Newkirk Work from his oeuvre. “Newkirk’s work often explores and questions the meanings of material and how this meaning is influenced and transformed by the form that it ultimately takes. With Mayday, worn white t-shirts have been used to speak about not only the recent past but also the very real present. Located directly [...]

Carnegie Museum of Art
March 11–May 1, 2011

Ragnar Kjartansson: Song at Carnegie Museum of Art is Icelandic artist Ragnar Kjartansson’s first solo museum exhibition in the United States. In a constantly evolving body of work, Kjartansson plays with notions of myth, cultural history, and identity, often through the lens of music and durational performance, all the while playing sincerity against the inherent artifice of performance.

Inhale. As you exhale your body relaxes. Exhale moving into a deep quiet place inside you… You can see off in the distance what appears to be a cave. As you approach the cave you see that there is a large opening. Enter the cave… About 32,000 years ago, humans inhabited the Chauvet Cave in [...]

Two “Buttery Smooth” Workshops in The Counter Kitchen in March Brooke Singer and Stefani Bardin of the The Counter Kitchen welcome two special guests on March 12 and 19. Join them in the kitchen and learn how to reverse-engineer your favori…

You are encouraged to submit creative work to be included in an online exhibition that valeveil is developing, titled OUXPO, which intends to collect and archive new works which are consciously constructed according to a very specific rule or constr…

In the lead up to this year’s Academy Awards, I found myself on a few occasions defending Joel and Ethan Coen’s True Grit as something other than simply a good remake of a classic western.  My argument in defense of their Oscar-nominated film more or less hinged on the basic point that True Grit can [...]

By Kaitlin Kylie Pomerantz With little-seen gems from Philadelphia’s historic scientific institutions, as well as side-by-side art history ground shakers including Thomas Eakins’ Gross Clinic, Marcel Duchamp’s Nude Descending a Staircase (no. 2), and Eadweard Muybridge’s early motion photographs, Pennsylvania Academy of the Fine Art’s new exhibition, Anatomy/Academy, rephrases the dusty argument over the continued [...]

In January, when the sprinklers went off unexpectedly in Bambi Gallery and damaged some of its art, Bambi proprietress Candace Karch decamped, taking her February show to another location. Now, Karch says, Bambi will migrate permanently out of its location at the Piazza after her March show. But this is not the end of Bambi—the [...]

Shelley Jackson’s Skin is equal parts conceptual art, performance art, literature, and Internet art. In 2003, Jackson wrote a 2,095-word short story that will never be published in the traditional sense. Instead, Jackson invited readers to apply to h…

MORE THAN BODIESVideoplay2010 ARGENTINACurator: Silvio De Gracia1 March – 4 April 2011Only on VisualcontainerTVwww.visualcontainer.tvVisualcontainerTV is glad to present: MORE THAN BODIES, videoart selection from VIDEOPLAY2010, Junin, Argentina.MORE TH…

Musée départemental d’art contemporain de Rochechouart

Charlotte Moth (1978, UK) has created over the past ten years a body of work that is essentially photographic but emerges primarily through the experience of sculpture, architecture and cinema.

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