In association with the Institute for Contemporary Art (ICA) Moscow, and Centre for Contemporary Art – Winzavod, Calvert 22 presents new work from a selection of emerging artists from Russia. This unique presentation aims to convey a vivid sense of current artistic practice in Russia and introduce a new generation of artists and perspectives to the UK.

The opening reception will be on April 2nd from 6pm-Midnight”End to End ” New Media Art ShowSupported by Harvestworks Digtial Media Art CenterOpen reception: Saturday, April 2nd, 2011-6:00pm-12:00amThis event is open to the public and there is no admis…

——————————INTRO STREAM: NEWSLETTER INDEX——————————1. PikselSavers @ Pixelache Helsinki2. PikselSavers @ the Norwegian Telecom MuseumPikselSavers – screensavers that makes a difference!PikselSavers is a screenin…

Miriam Böhm Work from her oeuvre. “In her photographs, Böhm enquirers into the very nature of the art object; how it is made, perceived, and how way we derive meaning from it. She uses the act of photography as a series of iterations, taking many photographs of one object or motif, from different perspectives, and [...]

The Sharjah Art Foundation announces the fourth annual March Meeting, a three-day symposium featuring presentations by 42 institutions, artists and art professionals on artistic practice and production in the Middle East, North Africa and South Asia (MENASA) region and beyond, to take place in Sharjah from March 13 to March 15, 2011.

The 12th Istanbul Biennial will explore the relationship between art and politics, focusing on works that are both formally innovative and politically outspoken. The work of the Cuban-American artist Felix Gonzalez-Torres (1957–1996) is a clear example of this kind of artistic practice, and a primary inspiration for the biennial. The title of the biennial, Untitled (12th Istanbul Biennial), 2011, deliberately references the way in which Gonzalez-Torres named most of his works: “Untitled” followed by a description in parentheses.

Call for PapersDeadline: Tuesday, March 1, 2011Applications at the intersection of art and visualization have become a recurring theme at visualization, graphics, and HCI conferences. Inspirations from artistic movements, artistic practice, and the fie…

This introduction is short. Anne Elizabeth Moore gave such thorough answers, it seemed more important to let those stand than offer an interpretation of her merit. Safe to say having published four books, Anne Elizabeth Moore is an accomplished author. Having shown internationally, she is a significant artist and permeating those facets of her work [...]

Bergen National Academy of the Arts (KHiB) in Norway has a vacancy for a professor/associate professor (100 %) in Time Based Art including Performance and Video for a fixed term of six years.

The Academy offers an interesting and demanding job in a h…

< Worcester: the art of making a modern city

• 14 December 2010, 1-1.50pm (please arrive at 1pm prompt)
• 2 pounds / 1 pound for students & artists (available on the door, in cash)
• Venue: The Gallery, 77 Cowcross Street, London EC1M 6EJ

A con…

Utah Museum of Fine Arts
November 18, 2010 – February 27, 2011

Whettnall, whose artistic practice encompasses photography, video, performance, and installation, began her career as a painter. Even as she turned to video, her work frequently returned to landscape and self-portraiture, genres traditionally aligned with painting.

On Johannesburg | “William Kentridge: Anything Is Possible” (2010) Preview | Art21 from Art21 on Vimeo. It is nearly impossible to talk about William Kentridge’s artistic practice without mentioning – if not devoting entire exhibitions, articles, books, or blogs to – the subject of home. In fact, one rarely sees the artist’s name without the [...]

Astrup Fearnley Museum of Modern Art
7 September 2010 – 2 January 2011

Since this is the first time his work is seen in such scope, the exhibition offers a unique opportunity to become acquainted with key aspects of Neto’s artistic practice.

MACBA

Of Animals and Monsters will begin with a discussion of the nature of the animal in writings by Gilles Deleuze and Jacques Derrida, both of whom suggested conceiving animality as an anomalous, liminal phenomenon. From this perspective, the seminar will reopen the question of animality and the monstrous at the intersection between thought and artistic practice, as part of an investigation on both identity and community.

Adad Hannah’s videos are moving pieces of work. And they move, just barely. What started as a curiosity to see what happens to video when you strip it of all its defining characteristics – more closely reverting back to photography – has inspired a career full of artistic exploration. Featured in the Quebec Triennale in [...]

Raft of the Medusa (100 Mile House) #2 from Adad Hannah on Vimeo. Adad Hannah’s videos are moving pieces of work. And they move, just barely. What started as a curiosity to see what happens to video when you strip it of all its defining characteristics – more closely reverting back to photography – has [...]

In this talk about his installation at AC Institute, When does a gallery give away artworks?, Kim Wan will discuss his artistic practice, how the concept of the installation came into being, and the making and “defacing” of 210 individually painte…

“Brut Graffiti”
Peintures / Paintings
John Jonone Perrello was born in 1963 in New York. Aged of 17, he started to spray his name around his neighbourhood, and very early, he used experimental and abstract forms on trains and walls and later on in his…