Antonio G. Lauer a.k.a Tomislav Gotovac and performative collective BADco. will represent Croatia at the 54th Biennale di Venezia in the exhibition entitled One Needs to Live Self-Confidently… Watching, curated by WHW. The Croatian presentation will be in the Arsenale.

Blaffer Art Museum at University of Houston and Flo Art Fund are pleased to present At the Back of the North Wind, an exhibition of new works by Anton Ginzburg, which will be open to the public from June 3 to November 27, 2011 during the 54th Venice Biennale at the Palazzo Bollani. Curated by Matthew J.W. Drutt, the exhibition has been chosen as an official participant of La Biennale di Venezia’s Collateral Program.

SKMU Sørlandets Kunstmuseum presents Where Is Where?, a multi-screen installation by Finish artist and filmmaker Eija-Liisa Ahtila (b. 1959). Ahtila’s masterfully crafted narratives and touching portrayal of characters have captured the public’s interest and won critical acclaim worldwide. Her films and multi-screen installations explore and experiment with storytelling, creating extraordinary tales out of ordinary human experiences.

March 19–May 29, 2011

Marabouparken is pleased to present an exhibition by internationally renowned British artist Phil Collins. Collins often works in socially and politically contested regions, employing elements of popular culture, low-budget television and reportage-style documentary to articulate a form of critical proximity to contemporary media—both a fascination with and wariness of the ways in which they structure the lived experience itself.

Museo Experimental El Eco
March 24–May 15, 2011

Mariana Castillo Deball (Mexico, 1975) has produced a large installation in the main gallery, whose rectilinear metal structure unfolds through the space like a giant serpent. Supported by this frame are irregular constructions made from papier mâché.

Museo Experimental El Eco
March 24–May 15, 2011

Mariana Castillo Deball (Mexico, 1975) has produced a large installation in the main gallery, whose rectilinear metal structure unfolds through the space like a giant serpent. Supported by this frame are irregular constructions made from papier mâché.

S.M.A.K.
26 March–3 July 2011

Raum und Zeit is the first solo exhibition by German sculptor Michael Sailstorfer (°1979, Velden/Vils) in Belgium and the largest so far. On the basis of more then twenty works, S.M.A.K. sketches a nuanced picture of Sailstorfer’s still young oeuvre.

S.M.A.K.
26 March–3 July 2011

Raum und Zeit is the first solo exhibition by German sculptor Michael Sailstorfer (°1979, Velden/Vils) in Belgium and the largest so far. On the basis of more then twenty works, S.M.A.K. sketches a nuanced picture of Sailstorfer’s still young oeuvre.

de Appel arts centre and The Fair Gallery are pleased to announce their forthcoming collaborative project The Gallerist Programme, a professional development programme for young art professionals aspiring to work in the gallery field. The programme combines de Appel arts centre ‘s expertise in organising its Curatorial Programme since 1994, with the Fair Gallery’s initiative to examine and create new forms of collaboration between galleries in an increasingly expanded field of operation.

Centro de Arte Caja de Burgos CAB
28 January–1 May 2011

The Cuban Carlos Garaicoa (La Havana, 1967) is one of the most outstanding visual artists of his generation. He has developed, for some years now, a dialogue between art and urban spaces through which he investigates the social structure of our cities in terms of their architecture.

By its very nature, graphic design is primarily concerned with giving shape to ideas and information generated by others. For the last decade, Markus Weisbeck has been redefining this prevailing client-designer relationship and subsequently challenging what constitutes a graphic design practice today.

March 26–July 31, 2011

The Wexner Center hosts a suite of exhibitions this spring and summer that includes the U.S. debut of Double Sexus: Hans Bellmer and Louise Bourgeois, Human Behavior: Nathalie Djurberg with Music by Hans Berg, and the commissioned installation Pipilotti Rist: The Tender Room.

The 2011 editions of Art Chicago and NEXT will present a more focused vision for the Chicago landmark arts-weekend. Through a combined floor-plan and a joint public program featuring the leading players in the art world, Art Chicago and NEXT are poised to present visitors an unparalleled arts experience with both emerging and established contemporary art in one location

Tania Bruguera’s Immigrant Movement International, presented by Creative Time and the Queens Museum of Art, is a long-term art project in the form of an artist-initiated socio-political movement. Bruguera will spend a year operating a flexible community storefront space in the multinational and transnational neighborhood of Corona, Queens, which will serve as the movement’s headquarters.

New Methods is a three-day symposium examining the practices of contemporary arts organizations that provide essential educational and professional development to local artistic communities in Latin America.

The Renaissance Society
March 13–May 1, 2011

This show will address the lingering cultural fallout of the 1960s, in particular its effect on a generation of younger artists and their engagement with the period as it becomes more somberly remote. Fifteen years ago Newt Gingrich said the 1960s would come to be seen as a “temporary aberration” within the overall trajectory of U.S. history.

On the occasion of its 20th anniversary Texte zur Kunst organized an international symposium at Theater Hebbel am Ufer (HAU1) in Berlin on December 11, 2010. Under the programmatic title, “Where do you stand, colleague?”, lectures and panels addressed the fundamental question of the relationship between art criticism and social critique.

NEW VIENNA NOW is a multifaceted and sophisticated book for all those who have an interest in present-day creative Vienna. Designed by Stefan Sagmeister, the 384-page publication pictures and describes the wide range of Vienna’s contemporary art and creativity against the background of cultural tradition.

Swiss Institute
February 9–March 26, 2011

Swiss Institute proudly presents the first institutional exhibition of vintage prints by the late Karlheinz Weinberger (1921-2006). An unsung pioneer of vernacular photography since the Fifties, Weinberger captured a young generation of rebels, who were greatly influenced by American culture.

Zachęta National Gallery of Art
Exhibition open until 8 May 2011

The subject of the exhibition is the work of three female artists, pioneers of Polish women’s art: Ewa Partum, Natalia Lach-Lachowicz and Maria Pinińska-Bereś, who died in 1999.