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	<title>SanArt &#187; art</title>
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	<description>contemporary art and culture news aggregator / visualizer</description>
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		<title>Restoration puts the drama back in the Gross Clinic</title>
		<link>http://www.sanart.info/2010/07/restoration-puts-the-drama-back-in-the-gross-clinic/</link>
		<comments>http://www.sanart.info/2010/07/restoration-puts-the-drama-back-in-the-gross-clinic/#comments</comments>
		<pubDate>Sat, 31 Jul 2010 10:35:03 +0000</pubDate>
		<dc:creator>guest writer</dc:creator>
				<category><![CDATA[NEWS]]></category>
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		<category><![CDATA[thomas eakins gross clinic]]></category>

		<guid isPermaLink="false">http://theartblog.org/?p=15335</guid>
		<description><![CDATA[By Peter Crimmins The restoration crew at the Philadelphia Art Museum likes to say that The Gross Clinic now looks like it did when it came off Thomas Eakins easel in 1875. Only partially true. The way it is presented in the Museum’s Perelman Building is nothing like the debut the painting had at the [...]]]></description>
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		<item>
		<title>Perfect View</title>
		<link>http://www.sanart.info/2010/07/perfect-view/</link>
		<comments>http://www.sanart.info/2010/07/perfect-view/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 15:21:19 +0000</pubDate>
		<dc:creator>Rhizome.org Announcements</dc:creator>
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		<category><![CDATA[View]]></category>

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		<description><![CDATA[

Location: Project Room at the Chelsea Art Museum, 556 West 22nd St., New York
Dates: August 5–Sept 2
Opening reception: August 5, 6–8
Artist's Talk: August 26, 6–8, presented by Jack Toolin

Perfect View considers our perception of landscape in...]]></description>
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		<title>Flesh in Venice: why there&#8217;s no one like Titian &#124; Jonathan Jones</title>
		<link>http://www.sanart.info/2010/07/flesh-in-venice-why-theres-no-one-like-titian-jonathan-jones/</link>
		<comments>http://www.sanart.info/2010/07/flesh-in-venice-why-theres-no-one-like-titian-jonathan-jones/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 12:08:07 +0000</pubDate>
		<dc:creator>Jonathan Jones</dc:creator>
				<category><![CDATA[Jonathan Jones on art]]></category>
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		<category><![CDATA[Michelangelo]]></category>
		<category><![CDATA[native venice]]></category>

		<guid isPermaLink="false">http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2010/jul/30/venice-titian-travels-well</guid>
		<description><![CDATA[Titian's art drinks in the air and light of his native city and breathes it out across the worldTitian is an artist who travels well. The very name we know him by in the English-speaking world, derived from Tiziano, is testament to his capacity to take...]]></description>
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		<title>Freewaves: Video Between Their Toes</title>
		<link>http://www.sanart.info/2010/07/freewaves-video-between-their-toes/</link>
		<comments>http://www.sanart.info/2010/07/freewaves-video-between-their-toes/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 14:55:21 +0000</pubDate>
		<dc:creator>Catherine Wagley</dc:creator>
				<category><![CDATA[Art21 Blog]]></category>
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		<guid isPermaLink="false">http://blog.art21.org/?p=24469</guid>
		<description><![CDATA[Freewaves turned 20 this year. The grassroots new media organization that began in 1989 with a gaping, loosely defined mission to show Los Angeles to itself celebrated its birthday on June 26 with Video on the Loose, a  one-night festival at the Los Angeles County Museum of Art (LACMA). In the wide-open plaza that links [...]]]></description>
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		<title>Is the art of bullfighting dead?</title>
		<link>http://www.sanart.info/2010/07/is-the-art-of-bullfighting-dead/</link>
		<comments>http://www.sanart.info/2010/07/is-the-art-of-bullfighting-dead/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 14:12:39 +0000</pubDate>
		<dc:creator>Jonathan Jones</dc:creator>
				<category><![CDATA[Jonathan Jones on art]]></category>
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		<category><![CDATA[arena]]></category>
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		<category><![CDATA[silver sand]]></category>

		<guid isPermaLink="false">http://www.guardian.co.uk/artanddesign/jonathanjonesblog/2010/jul/29/bullfighting-art-picasso</guid>
		<description><![CDATA[From Goya to Picasso, artists have painted pictures that depend on the gore and passion of the bullfight for their greatness – so will the bloodsport's demise mean the end of tragic art?Spanish bulls are breathing more easily after Catalonia became t...]]></description>
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		<title>Daily Appendix:  Lindsay Lohan Makes Jail Art, LACMA&#8217;s Film Program Gets a New Boost, Et Al.</title>
		<link>http://www.sanart.info/2010/07/daily-appendix-lindsay-lohan-makes-jail-art-lacmas-film-program-gets-a-new-boost-et-al/</link>
		<comments>http://www.sanart.info/2010/07/daily-appendix-lindsay-lohan-makes-jail-art-lacmas-film-program-gets-a-new-boost-et-al/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 11:51:00 +0000</pubDate>
		<dc:creator>ARTINFO: News</dc:creator>
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		<category><![CDATA[Salvador Dalí]]></category>

		<guid isPermaLink="false">http://www.artinfo.com/news/story/35350/lindsay-lohan-makes-jail-art-lacmas-film-program-gets-a-new-boost-et-al/</guid>
		<description><![CDATA[&#160;Plus, Salvador Dali's moustache takes flight.]]></description>
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		<title>“Matisse; Radical Invention 1913-17? at MoMA</title>
		<link>http://www.sanart.info/2010/07/%e2%80%9cmatisse-radical-invention-1913-17%e2%80%b3-at-moma/</link>
		<comments>http://www.sanart.info/2010/07/%e2%80%9cmatisse-radical-invention-1913-17%e2%80%b3-at-moma/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 10:41:58 +0000</pubDate>
		<dc:creator>andrea kirsh</dc:creator>
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		<guid isPermaLink="false">http://theartblog.org/?p=15278</guid>
		<description><![CDATA[Matisse; Radical Invention 1913-17 at the Museum of Modern Art through Oct. 11 is not for those take the artist at his word that a painting should be like a good armchair: familiar and comfortable, presumably. Rather it’s for those who like a challenge and find that almost a century later some of his work [...]]]></description>
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		<title>Art-Agenda: What&#8217;s on the agenda in July?</title>
		<link>http://www.sanart.info/2010/07/art-agenda-whats-on-the-agenda-in-july/</link>
		<comments>http://www.sanart.info/2010/07/art-agenda-whats-on-the-agenda-in-july/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
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		<guid isPermaLink="false">http://e-flux.com/shows/view/8426</guid>
		<description><![CDATA[Just how much Johann König sees is a myth. Jordan Wolfson plugs in the questions and uncovers the short-circuits of being too-organized.]]></description>
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		<item>
		<title>Spill &gt;&gt; Forward</title>
		<link>http://www.sanart.info/2010/07/spill-forward-2/</link>
		<comments>http://www.sanart.info/2010/07/spill-forward-2/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 18:46:48 +0000</pubDate>
		<dc:creator>Rhizome.org Announcements</dc:creator>
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		<category><![CDATA[Spill]]></category>
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		<description><![CDATA[

Opening: July 30th, 2010
MediaNoche's gallery space at corner of 102nd Street / Park Ave.
New York City (Manhattan)
6-8:00 pm
Exhibition running from July 30 - September 14, 2010
Hours: Wednesday - Friday, 3-7pm



Responding to what has been called ...]]></description>
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		<title>Walker Art Center: From Here to There: Alec Soth&#8217;s America</title>
		<link>http://www.sanart.info/2010/07/walker-art-center-from-here-to-there-alec-soths-america/</link>
		<comments>http://www.sanart.info/2010/07/walker-art-center-from-here-to-there-alec-soths-america/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
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		<guid isPermaLink="false">http://e-flux.com/shows/view/8423</guid>
		<description><![CDATA[Walker Art Center
September 12, 2010 – January 2, 2011

The first major survey for the artist in the United States, From Here to There: Alec Soth's America explores the past 15 years of work by one of the most compelling voices in contemporary photography. While Soth's practice has taken him throughout the world—from Paris to London to Bogotá to the country of Georgia—the Walker exhibition, curated by Siri Engberg, focuses on his pictures made in the United States.]]></description>
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