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	<title>SanArt &#187; e-flux</title>
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	<description>contemporary art and culture news aggregator / visualizer</description>
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		<title>Schirn Kunsthalle Frankfurt: Peter Kogler. Projection</title>
		<link>http://www.sanart.info/2010/07/schirn-kunsthalle-frankfurt-peter-kogler-projection/</link>
		<comments>http://www.sanart.info/2010/07/schirn-kunsthalle-frankfurt-peter-kogler-projection/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[computer generated art]]></category>
		<category><![CDATA[kunsthalle]]></category>
		<category><![CDATA[loopSound]]></category>
		<category><![CDATA[Multiprojection]]></category>
		<category><![CDATA[peter kogler]]></category>
		<category><![CDATA[Schirn]]></category>
		<category><![CDATA[schirn kunsthalle frankfurt]]></category>
		<category><![CDATA[space of illusion]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8417</guid>
		<description><![CDATA[Schirn Kunsthalle Frankfurt
1 July – 12 September 2010

The Austrian multimedia artist Peter Kogler is one of the pioneers of computer-generated art. With his impressive 360-degree multi-projection on show at the Schirn from July 1 to September 12, 2010, the artist, whose work was included in two documenta programs, creates a space of illusion that completely captivates the observer. Lines of a uniform grid lose their fixed coordinates and stretch into a play of amorphous figures. All the projected elements undergo a continuous transformation of their specific structure and thus make the room vibrate visually.]]></description>
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		</item>
		<item>
		<title>Bloomberg SPACE: COMMA24 and COMMA25 at Bloomberg SPACE</title>
		<link>http://www.sanart.info/2010/07/bloomberg-space-comma24-and-comma25-at-bloomberg-space/</link>
		<comments>http://www.sanart.info/2010/07/bloomberg-space-comma24-and-comma25-at-bloomberg-space/#comments</comments>
		<pubDate>Fri, 30 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[August]]></category>
		<category><![CDATA[Gallery]]></category>
		<category><![CDATA[gallery walls]]></category>
		<category><![CDATA[photographic works]]></category>
		<category><![CDATA[pioneer]]></category>
		<category><![CDATA[scale images]]></category>
		<category><![CDATA[Suchan]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8427</guid>
		<description><![CDATA[Bloomberg SPACE
Exhibition continues until 14 August 2010

Widely considered as a pioneer of the constructed photographic image, Boyd Webb has been commissioned to create a pair of large-scale images in response to the voluminous front gallery.  Easily viewed from the street the two new huge photographic works pasted flat against the gallery walls create a connection linking the interior of the gallery to the public square beyond.  For COMMA, Webb has chosen not to create fantastical tableaux, but rather to focus his lens on two separate bizarre yet mesmerizing images.]]></description>
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		<title>ARCOmadrid: New project</title>
		<link>http://www.sanart.info/2010/07/arcomadrid-new-project/</link>
		<comments>http://www.sanart.info/2010/07/arcomadrid-new-project/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[art production]]></category>
		<category><![CDATA[current art]]></category>
		<category><![CDATA[international contemporary art]]></category>
		<category><![CDATA[programme]]></category>
		<category><![CDATA[Project]]></category>
		<category><![CDATA[project photo]]></category>
		<category><![CDATA[Solo]]></category>
		<category><![CDATA[Victor]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8409</guid>
		<description><![CDATA[30th International Contemporary Art Fair, ARCOmadrid

A new feature of the project is that successive editions of the SOLO PROJECT section will be centred exclusively on Latin America. Another noteworthy introduction is OPENING, a new programme inviting young galleries from emerging European countries, setting aside a separate space within ARCOmadrid especially for them. Furthermore, another new addition is FOCUS RUSIA, a programme inviting galleries and projects showcasing the very best of current art production from Moscow and Saint Petersburg.]]></description>
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		<title>The Fruitmarket Gallery: Martin Creed: Down Over Up</title>
		<link>http://www.sanart.info/2010/07/the-fruitmarket-gallery-martin-creed-down-over-up/</link>
		<comments>http://www.sanart.info/2010/07/the-fruitmarket-gallery-martin-creed-down-over-up/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[accessible approach]]></category>
		<category><![CDATA[available materials]]></category>
		<category><![CDATA[July]]></category>
		<category><![CDATA[Martin Creed]]></category>
		<category><![CDATA[October]]></category>
		<category><![CDATA[public imagination]]></category>
		<category><![CDATA[WirthThe]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8424</guid>
		<description><![CDATA[The Fruitmarket Gallery
30 July – 31 October 2010

A major exhibition of new and recent work by Martin Creed, one of Britain's most highly-regarded and popular artists. Creed's work captures the public imagination, while also attracting critical acclaim for its generous, accessible approach. His work most often takes the form of interventions into a given space, re-ordering readily available materials which are a familiar part of everyday life.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art-Agenda: What&#8217;s on the agenda in July?</title>
		<link>http://www.sanart.info/2010/07/art-agenda-whats-on-the-agenda-in-july/</link>
		<comments>http://www.sanart.info/2010/07/art-agenda-whats-on-the-agenda-in-july/#comments</comments>
		<pubDate>Thu, 29 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[Agenda]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[art agenda]]></category>
		<category><![CDATA[jordan wolfson]]></category>
		<category><![CDATA[kig]]></category>
		<category><![CDATA[myth]]></category>
		<category><![CDATA[short circuits]]></category>
		<category><![CDATA[Wolfson]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8426</guid>
		<description><![CDATA[Just how much Johann König sees is a myth. Jordan Wolfson plugs in the questions and uncovers the short-circuits of being too-organized.]]></description>
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		<item>
		<title>Collective: Hito Steyerl: In Free Fall</title>
		<link>http://www.sanart.info/2010/07/collective-hito-steyerl-in-free-fall/</link>
		<comments>http://www.sanart.info/2010/07/collective-hito-steyerl-in-free-fall/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[19 september]]></category>
		<category><![CDATA[abandonment]]></category>
		<category><![CDATA[boeing 707]]></category>
		<category><![CDATA[Collective]]></category>
		<category><![CDATA[fall]]></category>
		<category><![CDATA[Min]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[obsolescence]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8422</guid>
		<description><![CDATA[Collective
29 July – 19 September 2010

"Falling is a transition. It is a movement from one position to another. In as much as it suggests failure or ruin, to love is also to fall. It is corruption, revolution and abandonment. It implies a relationship. Hito Steyerl's In Free Fall charts a singular object, the Boeing 707-700 4X-JYI airplane, in this process of falling. Less the story of an object's production and eventual obsolescence, In Free Fall documents a life made visible through consecutive moments of destruction."
— Gil Leung]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Walker Art Center: From Here to There: Alec Soth&#8217;s America</title>
		<link>http://www.sanart.info/2010/07/walker-art-center-from-here-to-there-alec-soths-america/</link>
		<comments>http://www.sanart.info/2010/07/walker-art-center-from-here-to-there-alec-soths-america/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[Alec Soth]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[country of georgia]]></category>
		<category><![CDATA[January]]></category>
		<category><![CDATA[paris to london]]></category>
		<category><![CDATA[printCourtesy]]></category>
		<category><![CDATA[walker art center]]></category>
		<category><![CDATA[work]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8423</guid>
		<description><![CDATA[Walker Art Center
September 12, 2010 – January 2, 2011

The first major survey for the artist in the United States, From Here to There: Alec Soth's America explores the past 15 years of work by one of the most compelling voices in contemporary photography. While Soth's practice has taken him throughout the world—from Paris to London to Bogotá to the country of Georgia—the Walker exhibition, curated by Siri Engberg, focuses on his pictures made in the United States.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Art&amp;Education: Call for Art Historical Papers</title>
		<link>http://www.sanart.info/2010/07/arteducation-call-for-art-historical-papers/</link>
		<comments>http://www.sanart.info/2010/07/arteducation-call-for-art-historical-papers/#comments</comments>
		<pubDate>Wed, 28 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[April]]></category>
		<category><![CDATA[Archive]]></category>
		<category><![CDATA[art historians]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[mass observation]]></category>
		<category><![CDATA[materialCourtesy]]></category>
		<category><![CDATA[observation archive]]></category>
		<category><![CDATA[tom harrisson]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8425</guid>
		<description><![CDATA[Since its launch in April of 2009, the Art Education Papers archive has published a wide range of scholarly articles on the visual arts. A free contributor-driven platform, A E Papers seeks to expand publication opportunities for art historians, theorists, curators, and artists, and to make papers more easily available to the public.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Museum Folkwang: Hacking the City – Interventions in public and communicative spaces</title>
		<link>http://www.sanart.info/2010/07/museum-folkwang-hacking-the-city-%e2%80%93-interventions-in-public-and-communicative-spaces/</link>
		<comments>http://www.sanart.info/2010/07/museum-folkwang-hacking-the-city-%e2%80%93-interventions-in-public-and-communicative-spaces/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[Communication]]></category>
		<category><![CDATA[Essen]]></category>
		<category><![CDATA[Folkwang]]></category>
		<category><![CDATA[innovative project]]></category>
		<category><![CDATA[museum folkwang]]></category>
		<category><![CDATA[Project]]></category>
		<category><![CDATA[street artists]]></category>
		<category><![CDATA[web designers]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8421</guid>
		<description><![CDATA[Museum Folkwang
16 July – 26 September 2010

"Hacking the City" is an innovative project reacting to changing structures in the public, mobility and communication in the city. The project is mainly focussed on Essen, Cultural Capital Ruhr.2010. Participants are artists, nerds, web-designers, communications guerrillas, street artists, performers and musicians.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>e-flux journal: What Is Contemporary Art? out now on Sternberg Press</title>
		<link>http://www.sanart.info/2010/07/e-flux-journal-what-is-contemporary-art-out-now-on-sternberg-press/</link>
		<comments>http://www.sanart.info/2010/07/e-flux-journal-what-is-contemporary-art-out-now-on-sternberg-press/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 04:00:00 +0000</pubDate>
		<dc:creator>e-flux shows :: rss</dc:creator>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[e-flux]]></category>
		<category><![CDATA[artistic movements]]></category>
		<category><![CDATA[grand tradition]]></category>
		<category><![CDATA[hegemonic]]></category>
		<category><![CDATA[ism]]></category>
		<category><![CDATA[journal]]></category>
		<category><![CDATA[Press]]></category>
		<category><![CDATA[softcoverISBN]]></category>
		<category><![CDATA[Sternberg]]></category>

		<guid isPermaLink="false">http://e-flux.com/shows/view/8420</guid>
		<description><![CDATA[What is contemporary art? First, and most obviously: why is this question not asked? That is to say, why do we simply leave it to hover in the shadow of attempts at critical summation in the grand tradition of twentieth-century artistic movements? The contemporary delineates its border invisibly: no one is proud to be "contemporary," and no one is ashamed. Indeed, the question of where artistic movements have gone seems embedded in this question, if only because "the contemporary" has become a single hegemonic "-ism" that absorbs all proposals for others. When there are no longer any artistic movements, it seems that we are all working under the auspices of this singular -ism that is deliberately (and literally) not one at all...]]></description>
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